вторник, 6 марта 2012 г.

Geoff Cox's guide to new DVDs: Three Musketeers, Real Steel, Tower Heist.

MUSKETEERS Athos, Porthos and Aramis are inseparable pals who live by the motto "One for all, all for one".

But if you're tempted to rent or buy <strong>THE THREE MUSKETEERS</strong> (12: Entertainment One), the latest take on Alexandre Dumas's swashbuckling tale of 17th Century heroism, romance and friendship, you may change that to "One for all, and all for nowt!"

While it divided opinion during its cinema run, the majority included it in their list of the year's worst films.

It beggars belief that millions are spent on witless productions like this digital re-working of Richard Lester's 1973 version. Oliver Reed would be turning in his grave.

The open-minded may enjoy the outrageous …

Geoff Cox's guide to new DVDs: Three Musketeers, Real Steel, Tower Heist.

MUSKETEERS Athos, Porthos and Aramis are inseparable pals who live by the motto "One for all, all for one".

But if you're tempted to rent or buy <strong>THE THREE MUSKETEERS</strong> (12: Entertainment One), the latest take on Alexandre Dumas's swashbuckling tale of 17th Century heroism, romance and friendship, you may change that to "One for all, and all for nowt!"

While it divided opinion during its cinema run, the majority included it in their list of the year's worst films.

It beggars belief that millions are spent on witless productions like this digital re-working of Richard Lester's 1973 version. Oliver Reed would be turning in his grave.

The open-minded may enjoy the outrageous …

Geoff Cox's guide to new DVDs: Three Musketeers, Real Steel, Tower Heist.

MUSKETEERS Athos, Porthos and Aramis are inseparable pals who live by the motto "One for all, all for one".

But if you're tempted to rent or buy <strong>THE THREE MUSKETEERS</strong> (12: Entertainment One), the latest take on Alexandre Dumas's swashbuckling tale of 17th Century heroism, romance and friendship, you may change that to "One for all, and all for nowt!"

While it divided opinion during its cinema run, the majority included it in their list of the year's worst films.

It beggars belief that millions are spent on witless productions like this digital re-working of Richard Lester's 1973 version. Oliver Reed would be turning in his grave.

The open-minded may enjoy the outrageous …

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